Surviving Progress

August 25, 2012

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Just over a month ago, around my birthday, I saw this rather interesting film that was airing on the BBC’s iPlayer… The main reason it caught my eye was because I was looking to buy a DVD copy an old blues documentary that Martin Scorsese had directed that traced the origins of blues music from the birth of the Delta-blues to the slave-experience and finally to Africa, which was entitled “The Blues“. However, as so often seems to be the case when on-line recently, I got slightly side tracked when I noticed a somewhat odd search result place near the top of the Google list… It read something like, “Scorsese – Executive Producer – Surviving Progress”.

Obviously I’m quite a big fan of Scorsese’s past works, especially his recent foray into the world of 3D animation that was highlighted with his loveable film “Hugo”, a heart felt story of a young orphaned lad who looks after the Gare Montparnasse’s clocks in Paris, ensuring they’re all well maintained and running on time. Anything that he decides/chooses to get involved in, for me, is a curiosity I rarely fail to miss… Mainly because they’re usually so well crafted and brilliantly realised. However, this one particular listing about “Survivng Progess” I had not heard anything about: neither in the tabloids nor on-line. Why that should be, I have no idea, especially as it is something I’ve broached the subject of here within this website before. So, as it was airing on the BBC’s iPlayer, I just couldn’t turn down a ‘free’ viewing of something Scorsese had chosen to get involved in when the chance arose.

To be fair, it wasn’t at all what I was expecting. Partly because I didn’t read the introduction to it on the BBC’s website… But predominantly because I had clocked the 1 hour and 22 minute run time and, so, automatically expected it to be a feature length fictional movie/film of some kind or another (oh, damnable presumptions)… However, from the very outset, I have to say, with it’s dulcet musical score and languid, ponderous content, it left me feeling somewhat engrossed and uneasy all at the same time, almost as though I was witnessing my own death and, yet, was still fully aware of all that going on around me.

During the course of the film, it touchingly brought an obvious – and yet, of late, once again much overlooked question – to the forefront of my thoughts… As a race of living beings, would WE actually make it through the coming hard times, most of which are predominantly and presently of our own making… ? Could we make sufficient changes right now to allow a decent bit of progress to be made on the path to cultivating a more balanced way of life within nature’s cradle of a planetary ecosystem… ?

Alfred Montapert, the Amercian author who wrote the “The Supreme Philosophy of Man: The Laws of Life”, is quoted as once saying “Don’t confuse motion and progress. A rocking horse keeps moving but doesn’t make any progress.” Certainly I see a lot of motion going on all around me in daily life… And whenever I’ve asked whether it’s really a holistic, healthy type of progress, most people I meet say that it will do for the time being… But, my instinct keeps nudging me, and I can’t help asking “Really? Is it really good enough for the time being?” Certainly I’m still not convinced by most people’s appraisal of the situation… And it seems, as this film suggests, the answer is a lot more astounding that most could (or would) dare to imagine…

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Surviving Progress

Documentary telling the double-edged story of the grave risks we pose to our own survival in the name of progress. With rich imagery the film connects financial collapse, growing inequality and global oligarchy with the sustainability of mankind itself. The film explores how we are repeatedly destroyed by ‘progress traps’ – alluring technologies which serve immediate need but rob us of our long term future. Featuring contributions from those at the forefront of evolutionary thinking such as Stephen Hawking and economic historian Michael Hudson. With Martin Scorsese as executive producer, the film leaves us with a challenge – to prove that civilisation and survival is not the biggest progress trap of them all.

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To find out where I originally saw this movie, please visit the BBC’s website by clicking here.

OR to visit the official website for the film, which should be released on DVD sometime this October, please click here.

Life comes about through the unfolding of patternsFractal like patterns… Ones that repeat themselves over and over again… Subtly changing… Ever evolving… Into new rhythms and orchestrations of being…

For me, life seems to come about through the feelings that occur within these patterns of material structure… By using these structures – and the rhythms within these structures – to perceive with, more patterns from the outside world flood into our senses… And, somewhere down the line, our ‘minds’ couldn’t help but slowly evolve a schematic/memetic representation of the patterns that we perceive in the world/universe around us, which we now we learn off others through various channels of media funnelling… Which in turn allow the notion of our ‘self’ to build up a seemingly ‘real’ relationship between the outer and inner worlds. But regardless of what is ultimately real and what is only delusion/illusion, this process of perception that seems to make this world seem so real resides somewhere within a long, cascading chain of delicate and interrelated molecular mechanisms… Which we call our bodies… That were reliant on all the bodies before it, related to it, etc… in a long chain of cause and effect. With these bodies, we find our “selves” awash in an ocean of interrelated patternation… Of fabrication… Of perpetuation…

This fabric of perceived reality seems to be produced from within itself… As if each level were subtly stirring up the ones around it, so as to create in each other a unique, yet interrelated, turbulent, writhing flow… Each level emanates from the rest… Yet the rest emanate from it… Feeding back into and out of the others… Undulating across all levels of creation, perception of the universe seems to stem from a fractal-like feedback loop… From the smallest to the largest and all the way back again… Here, within this sea of chaos, arises our world… And what better way to become more familiar with it, than to watch it relayed back to us again… Through the lens of this magnificent film… One which stirred my imagination into a desire to understand my position within the natural order of things better… Clearing some of the slurry that had partially obscured my view during most of my adolescent years…

Here, the abstract patterns of creation that gave rise to the atomic matter that our bodies – and the material universe – seem to built from, now unfold in ever more complex ways… Ways that we seem to take for granted in an everyday, presumed, regular – almost clock work – reality…

In the following film, Godfrey captures a poetic sense of flow, viewing mankind’s life on Earth a sort of deluge of movement… It’s almost as if he’s giving us the chance to observe the daily patterns of our lives afresh, in a time-lapsed ‘sur-reality’… Providing us with an opportunity to re-evaluate them against the blank canvas of Earth’s barren and primordial landscapes. Perhaps one can clearly see that everyday life isn’t perhaps as obvious and as natural as it sometimes may seem… Especially to those of us locked in daily human importance… Through seeing this, I feel we are afforded a new insight into understanding how unbalanced our lives have become… How out of sync We – as human beings – are with the natural order of Heaven and Earth, and how oblivious we have become to nature’s delicate, chaotic dance. No doubt the contrast is obvious between those of us living in the ancient rain forests and those of us now residing within our concrete cities of self-obsession…

Besides this powerful warning, Godfrey never looses sight of the strange beauty – even synchronicity – of it all… And elegantly counters the weighty caution with a tapestry of visual delight that seems to beckon the viewer onwards, showing how evident even the idea self-similarity between two seemingly rather diverse concepts like a microchip and a city. Here we can see that the way we move even influences the way we think and work. Perhaps there is really no difference between the un-natural and natural… Save the ideas/memes/schemas that mankind uses to justify his beliefs with.

To learn more about the creator of this motion picture, please click here.

To find out more about these films, please read the official website’s press release by clicking here.

Waking Life

October 2, 2010

I saw this movie about eight years ago now. And, having viewed it one evening with my mother, it seemed to leave an indelible mark on my psyche… One which slowly grew, bit by bit, with every question that I asked from that day onwards… With every uncertainty procured, it bulged a bit more… With every morsel of ‘self’ concern and ‘fear’, it distended into my centre of rosy beingness… In some ways I become a bit distraught over being faced with this ‘blob’ of growing sadness… It was putting my nose out of joint… Leaving a strange after taste in my mouth of daily flavours… Thus it seemed that the real world was slowly but surely giving way to a distorted view of things… Things that I had taken for granted and presumed would never change… And that left me somewhat detached from my usually daily routines, not to mention my friends… Even my family.

But what can you do when you’re faced with change? You can’t sweep it under the carpet and take anti-depressants to mask over the inevitable… Well… You can… But you’ll still have to face it one day… In the cold bright light of un-inebriated day. So, rather than deny this growth its rightful space, like a good rambler I rode the path beneath my feet out to the horizon, leaving all hope and woe behind me.

About a year after that ‘blemish’ appeared, it had pretty much filled my every waking and dreaming moment. But rather than hindering my experience, it had become a new lens through which to view the world around me… And that’s when I realised that it wasn’t actually a ‘blemish’ at all… Rather, it was simply that “the window” had been cleaned… “The window” that led from the outside world to the inside of my Being… It had been cleaned of the dirt that had settled on it over the years of everyday human drama, delusion, fear and pain… From the distorted mode of happy fabricated endings that television can leave us in… It was nothing more than the paint of that fantasy fading and pealing off in the dry, warm heat of reality’s Sun.

So here I am, offering it back up to those of you who might not have seen it before. It’s nothing really special… But it certainly gets a mention here… Mainly as it was the first part of the puzzle that ultimately brought the idea of this website into being… Cheers Richard!

To read more about “Waking Life”, please click here.

OR to read more about Richard Linklater, the director of the film, please click here.

Limits Of Control

August 10, 2010

Just the other day, I was sitting down with a friend during a cool summer’s eve… All this stifling heat that we have been having here in the UK recently has left me slightly frazzled in mind… So this cool spell has been warmly welcomed, allowing me to enjoy cups of tea and other warming drinks without over heating during passionate debates/conversations.

One recent cool eve, a friend was imbibing some fine Arabic coffee that he had just brought back over with him from Morocco. Having only just ground the beans moments earlier in my Uncle‘s old coffee grinder, I could smell the rich aroma that had begun to diffuse through the kitchen, as a bubbling sound spewed up into the air, overflowing, once again, from the dulled Bialetti…

“Damn this is strong…” he muttered on several occasions, all the while his hands trembling as he brought the cup to his pursed lips for another eager sip. Personally I’m not really a coffee drinker… And unless I’m in Morocco, seated in a café with a Shisha that is kindling some fine Arabian or Persian apple and honey tobacco, inhaling the compliment of the dry arid heat of their desert air along with the fresh vibrant fragrance their coffee, I’ll usually be sipping tea. Non the less, that really didn’t stop me from enjoying the scent of Jim’s fine coffee blend… Just remembering those velvety roasted overtones, I find myself desiring an espresso.

As usual Jim was indulging his appetite heartily… And any seasoned coffee drinker could see from his demeanour that it was strong coffee. He was babbling away with Bialetti about philosophy, Zen and this new film by Jim Jarmusch, called “The Limits Of Control.” In his over stimulated muddle he mangled on about the cinematic flow of this percolating “masterpiece,” how it brewed notions of profound insight over sagacious, minimalist moments of Zen… And that I would love it more than any of Federico Fellini‘s films… All of which, I must say, I still enjoy immensely… Especially “8 and a half.” After hearing this, I was simply at a loss to find a retort… So I suggested that we find a copy that very evening and watch it… Which we did.

All I can say is that this film is a meditation on life… One that certainly reminded me about aspects of T’ai Chi Ch’uan and meditative understandings about what We – as human beings – are, somewhat resembling the essence of that which I’m trying to convey and/or capture here in the writings littered throughout this website. Despite it’s fictitious nature, it is drenched in metaphor, and pressed smartly with “eye candy” that somehow spoke to my own deeply ingrained sensibilities… It demonstrates, sometimes obviously, and sometimes not so obviously, Jarmusch’s own personal musings about the nature of reality… Or at least, his own understanding about what it means. Magritte seems to come to my mind, as characters speak about what they like and dislike. Precision surrounded by suspicion encapsulates the smooth rolling, cosmopolitan imagery… No character needs any lengthy introduction. They are simply there doing what needs to be done.

Certainly there are clever moments… Like when Bill Murry’s character asks the protagonist how he got into the room, which leaves me finding all sorts of analogies as to how one might think about and do anything in Life. After all, imagination is where one’s memes… OR rather, one’s ideas… All have sex with one another, bearing their creative progeny into a world of limitless and wondrously unexplained potential.

But still… Besides the curvaceous Paz de la Huerta as a romantic, revealing nude temptress… ! One essence seemed to stand out from the rest during this languid dream sequence of a flick…

“He who thinks he is bigger than the rest must go to the cemetery. There he will see what life really is… A handful of dirt.”

Here the humbling reminder of what we are i.e. nothing more than a mixture of star dust and chaos, comes to mind. In an arbitrary world, no one is ‘bigger’ or ‘better’ than the rest. Everything is imagined. We live and then we die. Life is mysteriously precious… It flows with equal mystery… Following the Tao. And with this we should never forget how to live humbly… Helping those that need help along our way, and yielding to the help and advice offered when it is presented to us. To do all of these things while remaining in control of our “monkey mind” is the key our silent warrior uses to unlock the encounters within his rights of passage. “For every way in… There is another way out.”

To find out more about Jim Jarmusch, please click here.

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